Sunday, 27 June 2010

Book Review: Avalonian Aeon by Paul Weston

Avalonian Aeon by Paul Weston
reviewed by Alex Langstone

Autobiographies are funny things.

They can be read in one of several ways; the reader may be interested in the author, which is a good starting point, or read from the angle of the subject matter. Mostly, however, they are read because we are all pretty damn nosey about other folk, especially so with the popular interest in the cult of personality - both mainstream and fringe. With this in mind, here is a character who writes from a very interesting and articulate perspective. A 1979 psychedelic neo-hippy, Typhonian occultist, Osho mystic, counter culture junkie, psychic questing groupie, visionary poet and historian - all these descriptions can apply to Paul Weston, as he seeks out his unique spiritual path amid the chaos, dreams and aspirations of his interesting life. Intriguing possibilities are suggested, including the idea that if you read a certain book at a certain time in your life, strange things may start of happen in your own life. Indeed!

Avalonian Aeon is the much anticipated, long awaited, highly entertaining, interesting and at times very amusing autobiographical account of the psychedelic and mystical adventures of occult author Paul Weston. Paul's spiritual quest starts with the Stonehenge free festival in 1979 and very quickly builds pace as he moves on to Pilton. Synchronicity builds throughout his early adventures with dope and LSD, and the author soon discovers that his life is being maneuvered in a very purposeful and meaningful spiritual direction. Occult books are read as a vortex of psychic energy builds.

This book will very likely give you an information overload, but it is an overload I thoroughly recommend, as you read through the pages, very quickly an understanding of where Paul is coming from emerges, and as we enter part two of the story a significant magickal vibe builds. Different currents and flavours of mystery and mysticism converge on the author with an intensity very peculiar to Mr Weston. At this stage I should probably point out that the author is an old friend and past collaborator of mine, so be warned, the rest of this review may diverge into personal occult nostalgia!

Part two deals with a lot of psychic questing history, contemporary witchcraft, the esoteric work of Robert Coon, the Fellowship of Isis and much paranormal phenomena. The Green Stone Seven Swords story is revisited and updated along with much information, published for the first time, on Andrew Collins surreal and shamanic Glastonbury Zodiac quest. Lots of very intense personal memories are stirred in this section of the book, including my own dream time adventures with the Glastonbury Zodiac quest and other esoteric poetic sequences where the mystery beyond dreams personally manifested.

Paul's poetic words completely sum up the general vibe of much of what was happening around all who were involved with this vastly strange tale in the early 1990s:

She's our mother like the ocean,
she's our lover like the moon.
She is what we've all been missing:
night's dark wisdom returning soon, returning soon,
the Goddess,
the fullness,
of the moon.

Part three sees the author reaffirming his own unique path once more with Crowley, rebirthing, Jose Arguelles, Sai Baba's birthday, strange apparitions, the Goddess of Avalon and Robert Anton Wilson's Cosmic Trigger.

Part four sums up the story so far and dances with Thelema, destiny, Dion Fortune and Egypt. As with the rest of the book, tantalising references are made of other surreal mystical occult adventures which I have no doubt will be revealed in future books. Indeed a promise is made right at the end of the book, stating that the next installment will be entitled Aquarian Phoenix. I await with anticipation, amusement and delight.

I seriously recommend this book to all who are interested in the occult, counter culture, psychic communication, the Great Cosmic Goddess and mysterious paranormal encounters. If you have read Paul's two previous works, Mysterium Artorius and Aleister Crowley and the Aeon of Horus, the theme does indeed continue. If you haven't yet come across these earlier works, check them out!

Paul writes with a balanced, witty and articulated overview of the many wildly outrageous personal adventures he describes in this book, and though the author will not win over the most ardent sceptic, his personal integrity shines through.

If you so desire, play some suitable psychedelic soundtrack (and Paul makes many epic suggestions in his narrative) light up a big fat one and sit back and enjoy a modern tale of acid induced mysticism, Goddess aroused mystery and fusion inspired magick.

Avalonian Aeon is available to buy now, priced at £14.99. 540 pages, illustrated. Visit website now to purchase:

Postage costs are:
UK £3.50
Europe £4.50
Worldwide £7.50


Avalonian Aeon is an epic and encyclopaedic exposition of the total Glastonbury experience in the form of an autobiographical tale of magic and mysticism, ecstasy, hilarity, horror, the mystery of destiny, the charisma of landscape.

Against the backdrop of Crowley’s Aeon of Horus, the Thatcher years, and Gulf War, feeding on a diet of drugs and books, the author was pulled via the famous festival into the mystery of Glastonbury with its history and mythology of the Tor, Arthur and the Grail, Joseph of Arimathea, abbey, Chalice Well, and alleged terrestrial zodiac.

a misspent youth, perplexing outlandish paranormal phenomenon, psychic abilities and manifestations, visions, and artefact retrievals.

Early days and inspirations behind the Stonehenge and Glastonbury festivals.

Extensive previously unpublished Andrew Collins material providing a unique overview of psychic questing, including the entire story of the seven swords of Meonia and how Glastonbury proved to be a doorway to the mysteries of what may lie beneath the Giza plateau.

Complete survey of work of American visionary Robert Coon relating to Glastonbury, Crowley, global chakra sites, and the Omega Point.

Green Stone, Sirius, Tintagel, Stele of Revealing, witchcraft, Tarot, Qabalah, Rebirthing, Fellowship of Isis, Harmonic Convergence, Synchronicity.

Also starring a further illustrious cast of characters:
Dion Fortune, Geoffrey Ashe, Jose Arguelles, John Cowper Powys, Gurdjieff, John Michell, Leonard Orr, Anthony Roberts, Oliver Reiser, Katherine Maltwood, Frederick Bligh Bond, Graham Phillips, Mary Caine, Robert Anton Wilson, Shirdi Sai Baba, Hank Harrison.


Monday, 21 June 2010

Summer Solstice 2010

To celebrate this year's Solstice, here is a poem reproduced from Lucifer Bridge, which is available to by now from May the sun shine and the energy pulse.


Dancing entwined across the summer sky
Dragons dart flying, flying by!
Undine serpent unfurls and awaits
In the Herby undergrowth lays the energy bait.

Rearing monsters from a slumbering sleep
Rise up and shine from the darkening deep
Solstice sun through the dappled leaves
Serpent pulses, glistens then takes his leave.

Dragons fused in the summer sky
Above the ancient oak, we hear their ancient cry
Mid-summer passions waft and wend
Through the rippling shade to the shining end!

Secretive journeys through the slumbering hills
Entwining colliding taking their fill
Summer energy pulses, pulses round
To where it is needed and there can be found.

See here for more on the Summer Solstice in Kernow.

Tuesday, 8 June 2010

Lucifer Bridge reviewed by Jim Kirkwood

A few weeks ago my poetry anthology Lucifer Bridge was reviewed on the website of artist, writer and musician Jim Kirkwood. I have reproduced it below for those who may not have seen it. Thanks to Jim for a great review.

Lucifer Bridge
reviewed by Jim Kirkwood

Nicholas Roerich caught my attention a few years ago when I stumbled across a painting called “Mother of the World”. Anyone who can paint something so simple in execution and yet so profound, that crosses the false religious boundaries humanity is so fond of, has my immediate respect. His work is both mystical and influential. He designed the costumes for Stravinsky’s “Rites of Spring”, played a large part in the building of Russia’s first Buddhist temple, and translated Helena Blavatsky’s “Secret Doctrine” into Russian. Perhaps influential is an understatement. Yet his name remains a mystery to most. I like a mystery! And yes, I like the cover! “The Last Angel” by Nicholas Roerich is Alex’s choice of artwork for the cover and is typical of Alex’s attention to detail and fondness for exploring hidden depths of meaning. Then there is the poetry and a feast for the mind and soul it is. What we have are thirty poems that take you on a journey into the natural beauty and hidden world of Nature, and then some! It is a journey which begins quite gently with “Lor hag Mor”. It is immediately unusual though. I mean, how many people stand on the beach at night. It is a different experience. The tides have washed away the activities of the day and we are presented from the first with observations of

“........mackerel skies
Scudding clouds
Billowing, scurrying, hurrying
Across the round white disc of the moon”

The unusual context of this opening poem is an invitation. Never stood on a beach at night? Try it. An everyday place becomes something else. A Druid is revealed on the strand between the sea and the sea shore, a bard whispers to the soul, listen if you will to the tidal rhythm of words. This poem is a preparation of sorts for the Otherworldlyness to come, where we are plunged into living folklore of the sea itself. “Sea Girl”.

“Singing, singing proud
On the old sea-front
With salt-spray crowning
The sirens calling
The dead men drowning”

Dark, yes, but as anyone who knows anything of the sea, it both gives and takes life. In days of yore, fishermen knew all too well how precarious was their day to day existence upon a sea “which never sleeps”. I love this stuff. It reminds me of the haunting poems and prose of Fiona Macloed, a Celtic visionary of the 19th century, who was, like Alex, no stranger to Celtic Myth and Druidism. On we go, meeting as we do, Black Tiamat, the ‘Obby Oss’ of Penglaz, and the rising grey rock of “Carrack Looz en Cooz

“The old grey rock
In the ancient
Submerged woodland
Looms from the sea-mist
Like a gigantic darkened ship”

These are not simply observations, they are deep and profound experiences and the following poems provide us with a glimpse into the poets soul and the powerful forces at work there. “Men an Tol”, “An Undefinable Thought”, “White Water Dash” “The Aira Force Faeries” are a souls vision of what is happening around him. It demands something. “Further up and further in” as Lewis would say. A Pilgrimage that leads to a personal revelation, “Nature is my Religion”. The poet has nailed his colours to the mast! The Goddess is revealed. Dionysus is revealed. And we come to two of my personal favourites. “Oh Sacred Heart” and “Helena”. Oh Sacred Heart is one simple verse, one simple prayer.

“Oh Sacred Heart
Thy luminous hill of vision
Lead us forth
Along the shimmering
Secret byways
Of England’s green Avalon”.

But how much does it say! And Helena, a longer and more complex piece continues in the same mood. It is a descriptive poem of an experience which leads naturally into prayer. I should say that for me, if any of these poems reveal the true mind of this poet, then Helena is a window into an exploring soul.

“Lady of dreams
Light up the morn with
Your ancient light
Oh Lady of sunrise
Goddess of sunset
Take us to your eternal home”

And the poet stands in that space enraptured,

“At the edge of the wild gorse-entangled upland
Of the arcane sea-clad Celtic fringe.”

And where else would a Celtic bard and druid be, but in the sacred spaces of the world. Alex walks his talk, and of course we have the title poem of this collection.

“Lush green trees
Swoop like the curve
Of angels wings
Down to the water’s surface
Sometimes breaking the stillness
Of the moment.”

Beautiful! And what angel is this we wonder?

“We wait twilight upon Lucifer Bridge.
At the chosen moment they come
From their grazing pastures
The Nephilim!”

Rather more than a tongue in cheek reference to a certain Goth band, I think. Love it.